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My Big Fat Greek Wedding Reviewed By Chris Parry Posted 09/13/02 09:30:12

"Not as grand as the hype indicates, but a great way to spend 90 minutes." (Worth A Look)

The amazing thing about My Big Fat Greek Wedding isn’t that it came from out of nowhere to stick around in the box office top ten for twenty weeks before finally hitting number one. The amazing thing about My Big Fat Greek Wedding is that the distributor of the film, IFC Films, is the first company to actually have enough faith to keep a small film in theaters for so long and let positive word of mouth work. To be sure, this isn’t the greatest film you’ll have ever seen, in fact it’s pretty much just an average affair. But in a summer of films so bad you’d almost consider taking up bowling in your spare time, all it takes is some good laughs, an enjoyable cast, and a little time for word to get around and you’ve got yourself a genuine bona fide success on your hands. Congratulations to IFC Films for having the faith in their project to let audiences do the marketing for them, and for picking the perfect time to put out some light-hearted low-budget comedy that doesn’t rely on gross-out humor or the teen market to make its millions.Toula is a dreary 30-something Greek-American woman. She’s not good looking, not surrounded by friends, and her parents seem to have lost faith in her being anything of worth (IE: a wife) a long time ago. And then comes Ian, who sweeps Toula off her feet, brings out her inner beauty and asks her to marry him. Only problem is… he’s not Greek.The beauty of My Big Fat Greek Wedding is in its simplicity and its realism. If you’ve known Greek families in your time, these aren’t imaginary people and situations, they’re very, very real. The smothering father who thinks Windex will cure anything, the moron brother who doesn’t know a good joke from a bad one, the big-haired mother with a PHD in guilt, and the cousins… the millions of cousins. For non-Greek audiences, these people are hysterical. For Greek audiences even more so, because they know these people - they know them all too well.Nia Vardalos, who wrote the film and stars as the lead, deserves a hearty handshake and all the riches she’s now undoubtedly being, as she’s written something that avoids cliché while taking us somewhere we’ve all been before. She hasn’t tried to split the atom here, she’s just put together a fun screenplay and acted it out as naturally as required. John Corbett, who seemed headed for big things with Northern Exposure where he played Philosopher DJ Chris, is a likeable co-star, as is basically everyone else in the cast. It pushes believability at times, but so what, it’s a comedy. My Big Fat Greek Wedding is simple fun aimed at any audience, and you’d be hard pressed not to have a good time with it. At the time of writing, this film was number-one at the box office, even though it had been around for nearly half a year. Why? Big credit has to go to the number-crunchers at IFC Films for releasing it with intelligence. They didn’t just throw it on 200 screens and wait for the audience to die off, they had it on 200 screens in New York, Chicago and LA, then shifted it outwards 200 screens more at a time. When the box office dried up in one city, the word had spread to the next and the audiences would come out to see what the fuss was about. In fact, when the per screen average of this film dropped right off, and it did many times, IFC Films retained faith and doubled the number of screens it was on from 250 to 500 to 1000 and now 1600. Understand, any other distributor, once the per-screen average dips, dumps their film like it’s dipped in cow shit. IFC did the opposite, keeping the flick on screens, knowing full well that people will talk and they’ll bring their friends. In fact, to this date, over half a year of this film being out there, IFC Films has not once significantly reduced the number of screens this film was showing on. Theaters that had shown it three months ago are asking for it to come back. It’s a Blair Witch style phenomenon.And good. Perhaps now Hollywood is looking at this film (as it does with every indie success story) and wondering how they can tap into its success (read: copy it). They can start with a well prepared script, believable and funny dialogue, characters we can relate to (a chunky female lead? When’s the last time you saw one of those?) and a trailer that doesn’t give the ending of the film away.My Big Fat Greek Wedding will be quickly forgotten once we’ve all had a chance to see it (is anyone renting The Full Monty today?), because it’s not particularly unforgettable, but just maybe it will change the way Hollywood operates and change it for the better. For that reason alone, even if you ignore that it’s funny and enjoyable, it’s worth buying a ticket.
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